Pin It
Favorite

A Ghost of Christmases Past 

The Civic is staging White Christmas for the second time in three years

click to enlarge From left: Marlena Mizzoni, Kathy Doyle-Lipe and Wes Deitrick in the Civic\'s White Christmas. - YOUNG KWAK
  • Young Kwak
  • From left: Marlena Mizzoni, Kathy Doyle-Lipe and Wes Deitrick in the Civic\'s White Christmas.

It took half a century for the film White Christmas to be adapted into a musical, but only two years for it to reappear on the stage where it received its Spokane debut. Whatever the explanation offered by the program notes for this rapid revisitation, the mood of leaden insincerity that hangs over the production itself suggests something more disquieting. A creative shortfall, maybe. Or worse, shameless cynicism.

That’s a serious charge, and not one made lightly, given how much the mostly volunteer cast, crew and musicians have undoubtedly invested under Yvonne A.K. Johnson’s direction. But all one needs to do is rewind a few weeks to The Producers to know what heights are within the Civic’s reach. The contrast between the élan of the previous show and the current one is as striking as it is disappointing.

Contrasts don’t necessarily have to be adverse. The chemistry of White Christmas relies on them. Prim Betty Haynes versus her impetuous sister, Judy. Stick-in-the-mud Bob Wallace versus his hyperactive ex-army buddy and stage partner Phil Davis. They’re odd couples who’ve been paired by circumstances or genetics, but in life they’re two necessary halves of the same coins, brought together as double acts by their shared love of showbiz.

The two female leads certainly embody that dynamic. Ashley Cooper is a leggy, effervescent Judy; Andrea Dawson reprises her straitlaced and golden-voiced Betty from the 2010 production. One can also count petite Kathy Doyle-Lipe — whose fiery Martha Watson contrasts the staid General Waverly (Wes Deitrick) — among the captivating female roles.

With the gents, it’s a different story. White Christmas features two nasal tenors; close your eyes and they’re virtually indistinguishable. Michael Muzatko portrays Bob as tantrum-prone and high-strung, while Mark Pleasant’s Phil is more of a creep than a suave playboy. Their charm and interplay is all but lost. Muzatko’s role rewards him with some of Irving Berlin’s most iconic songs, yet as a singer, his tendency is to hunt for notes rather than alight gracefully upon them.

Doyle-Lipe and Cooper are responsible for many of the show’s highlights: as co-choreographers for the two rousing tap sequences (“Blue Skies” right before intermission and “I Love a Piano” immediately thereafter) and as a much-needed injection of charisma in a few key scenes.

Stripped of its gimmickry (a precocious tyke, some gratuitous kicks and backflips from ensemble members), there’s little in the way of vision or verve to bind White Christmas together. The sets are underwhelming, and the orchestra under Mike Saccomanno ranges from inconspicuous to ragtag. The cumulative effect is that White Christmas exists on a par with a department store holiday sale. All the seasonal trappings are there, but there’s something unsettlingly soulless about the affair. 

Irving Berlin’s White Christmas • Plays through Dec. 21, Thu-Sat at 7:30 pm, Sun at 2pm • Spokane Civic Theatre • $33; $31, seniors; $26, students • ticketswest.com • (800) 325-SEAT

  • Pin It

Latest in Arts & Culture

  • Mind Games
  • Mind Games

    The Inland Northwest is home to a sizable and highly competitive community of Magic: The Gathering players
    • Feb 25, 2015
  • Kennel Club Cribs
  • Kennel Club Cribs

    What it's like to spend a night in the cold just to get a good seat for the Zags game
    • Feb 25, 2015
  • Mosey On In, You're Part of History
  • Mosey On In, You're Part of History

    Distilled: A shot of life
    • Feb 25, 2015
  • More »

Comments

Subscribe to this thread:

Add a comment

Today | Wed | Thu | Fri | Sat | Sun | Mon
Hemingway Festival

Hemingway Festival @ University of Idaho

March 3-5

All of today's events | Staff Picks

More by E.J. Iannelli

  • Get Thee to a Nunnery
  • Get Thee to a Nunnery

    After more than a decade, the all-male version of the popular musical Nunsense returns to the Civic stage
    • Feb 25, 2015
  • Garland University of the Arts
  • Garland University of the Arts

    One small strip of businesses can teach you to sew, quilt, act, paint, weave and play the bass
    • Feb 18, 2015
  • More »

Most Commented On

  • Trapped by Debt

    Reflecting on the financial — and emotional — toll of student loans
    • Feb 11, 2015
  • The Food Guru

    The timing couldn't be better for food expert Alton Brown to check out Spokane's dining scene
    • Feb 25, 2015
  • More »

© 2015 Inlander
Website powered by Foundation