Wednesday, July 7, 2010

Metamorphosis

The Toy Garden started as something completely different than what it is now.

Dustin Carroll
The Toy Garden [Photo: Ben Tobin]
The Toy Garden [Photo: Ben Tobin]
The Toy Garden [Photo: Ben Tobin]
MORE INFO
The Toy Garden plays with Oil of Angels and Horses at the Seaside on Saturday, July 10, at 9 pm. Tickets: $5. 21 . Visit seasidevenue.com or call 413-2676.

Five years ago, the Toy Garden was an idea inside the mind of William Alan. Known then for his contributions to melodic screamo bands the Monroe and Eloi, Alan wrote solo acoustic material on the side — it was a way to vent his own personal creativity. He recorded a few of his songs, but something was missing.

“One song in particular just felt empty,” he says. “I ended up adding full instrumentation to it, and I liked the way it turned out.”

So Alan’s melodic acoustic songwriter idea became a full band, one that would eventually be called the Toy Garden.

At the time, Alan was also playing with the local post-hardcore powerhouse, Behold — so he poached some of his bandmates and other friends to join him onstage. The quartet played its unique indie rock sound all over town. An EP followed, but the sound it captured quickly became obsolete.

Alan’s hardcore leanings from Behold were gradually bleeding into the Toy Garden’s sound.

Keeping drummer Shayne Garcia, the band went through several member changes. Alan recruited Shawn Heale (Death to Greys, A Hollywood Legend) for lead guitar duties, and hired Anthony Burgess, his boss from Subway (and of recently defunct local band Le Train Train Quotidien), to take over on bass. The aural power of the band increased, along with the reverb. With this revamped lineup, the band trudged on, writing both heavier and more ambient music.

They’re ready to release their debut full-length album, A Wolf in Hipster’s Clothing. It’s a 10-song effort — engineered and recorded by Alan — brimming with the band’s unique post-rock feel and transcending sub-genres throughout its 48 minutes. It’s an exhibition of the band’s seamless blending of ambience with dissonance.

The band is, without a doubt, one of Spokane’s loudest. But they create catchy hooks and beautiful melodies that leave the listener constantly craving more. The Toy Garden’s live set is comprised of deafening emotional outbursts — tube amps blaring — and the subtle destruction of instruments, pulling every person in the crowd into their world of loss, despair and melancholy.

While the Toy Garden’s lyrics and onstage demeanor are extremely downtrodden, the band members themselves are anything but.

“At the core, it’s always been about playing music with friends, music we care about,” Garcia explains.  “Whatever happens, happens. We’ll push the record, if something happens awesome. If not, oh well. We focus more on friendship than musicianship.”

Also in Music Feature

Secret Agents

How avoiding the spotlight actually helped Unknown Mortal Orchestra find it

Seth Sommerfeld |
Tuesday, June 11,2013

Born of Fear

The Almost tackles trepidation with faith and alt rock

Jo Miller |
Tuesday, June 11,2013

Get Down in Browne's

Elkfest continues to make us swoon

Inlander Staff |
Tuesday, June 4,2013

More Than Just Music

Metalcore band We Came as Romans isn’t just yelling, but telling kids to believe in themselves

Alan Sculley |
Tuesday, June 4,2013

Ear Candy

Scenes from last weekend’s Volume music festival

Leah Sottile |
Tuesday, June 4,2013

Also By Dustin Carroll

Changing of the Guard

Seattle’s Vanguard will send one final love letter to Spokane before breaking up

Dustin Carroll |
Wednesday, April 28,2010

Rites of Punk

Ceremony is making new punk rock with an old-school mindset

Dustin Carroll |
Thursday, January 21,2010


 
 
Close
Close
Close