Wednesday, September 22, 2010

Space Rock

The Thermals don’t like change. But when they try new things, it seems to work out.

Seth Sommerfeld
The Thermals (L to R): Kathy Foster, Hutch Harris and Westin Glass
The Thermals (L to R): Kathy Foster, Hutch Harris and Westin Glass
The Thermals (L to R): Kathy Foster, Hutch Harris and Westin Glass

Bigger is better. Bands are always seeking a bigger audience, bigger tours, bigger record sales and a bigger sound. But when the Thermals moved into a new and bigger practice space last year, the mantra didn’t quite ring true.

“As it turned out, the room we moved into sounds terrible,” Westin Glass, the band’s drummer says. “It’s this big cube with hard floors, hard walls, hard ceilings.”

The move was in part to accommodate Glass, who joined the group in late 2008. The Thermals’ core has always been guitarist Hutch Harris and bassist Kathy Foster — who also wrote and played the drum parts on group’s last two albums. Despite the duo’s longstanding music chemistry and rotating cast of drummers, Glass was welcomed with open arms.

To ease the transition into the band, Glass immediately went to work learning the Thermals’ entire catalogue exactly how it was recorded. For him it was a way to internalize the band’s DNA.

In order to accommodate the new full-time member and extra gear more comfortably, the Thermals moved into the much larger practice room.

For years prior to the move, the Thermals maintained the same very tiny practice space in a Portland warehouse. It’s where they wrote the last few records and, when Glass joined the band, he immediately noticed how “sick and loud” the old songs sounded in the cramped confines.

But the change of space didn’t seem to affect Personal Life, the band’s new album. It was a quick turnaround from 2009’s Now We Can See. The Thermals banged out half of this new album in the new practice room before meeting up in the studio with producer Chris Walla (Death Cab for Cutie) last December.

Once they got into the studio with Walla, they realized that they hadn’t escaped the clutches of the practice space. They were writing big, open songs for the first time.

“We wrote most of the songs for the new record in that room. So without really realizing it, we were writing songs that sounded good in that room,” says Glass.

Somehow the band’s subconscious creativity had turned what they thought of as a hindrance — the cavernous practice room as opposed to the tightly cramped old space — into a plus.

“The room is really big, kind of echo-y, and has a lot of space in it. And the songs that we wrote all have a lot of space in them,” says Glass. “It’s kind of cool.”

Despite Personal Life getting positive feedback, the band is constantly working to make their new home sound better. Everything from insulation to office dividers is being used in an effort to hone a sound that fits.

It may be a terrible-sounding home, but they’re making it their own.

The Thermals play with the Camaros and the Young Professionals at the Seaside on Sunday, Sept. 26, at 7 pm. Tickets: $8-$10. All-ages. Visit http://www.brownpapertickets.com or call 413-2676.

Also in Music Feature

The Cowboy's Cowboy

A Canadian sings about the life —  not just the lifestyle — of the new West

Marty Demarest |
Wednesday, May 15,2013

Echoes of the Past

If rootsy Americana is your thing, Pokey LaFarge is making your new favorite songs

Gawain Fadeley |
Wednesday, May 15,2013

Band of Brothers

Flying Mammals take experimentation to a whole new level

Sarah Munds |
Tuesday, May 7,2013

You Like Us?

Overnight pop stars MGMT are still surprised at their own success

Jordan Satterfield |
Tuesday, May 7,2013

Dirty Words

Tyler, the Creator scares the hell out of people — and maybe that’s a good thing

Leah Sottile |
Tuesday, April 30,2013

Also By Seth Sommerfeld

Live or Die

Sure, buy a Japandroids record. But don’t call yourself a fan until you’ve seen them live.

Seth Sommerfeld |
Wednesday, September 1,2010

Those Were The Days

Why some pop-punk bands, like Sum 41, will never die

Seth Sommerfeld |
Tuesday, January 15,2013

Memory Lane

The dance-pop duo 3OH!3 on laser wolves and drinking in the Big Red Wagon.

Seth Sommerfeld |
Wednesday, March 2,2011
CD Review

'Champ,' Tokyo Police Club

My, how TPC has grown.

Seth Sommerfeld |
Wednesday, July 14,2010

Serious-Punk-Man

The Minutemen’s Mike Watt makes a punk rock opera to look inside himself

Seth Sommerfeld |
Tuesday, September 25,2012


 
 
Close
Close
Close