Pin It
Favorite

No New Twist 

Into the Storm's CGI tornadoes don't have enough star power

click to enlarge film2-1.jpg

There's something almost quaint about the idea that, once upon a time, the stars of disaster movies were ... well, stars. In the 1970s, when disaster was big box-office business, filmmakers gave their massive-scale, life-threatening scenarios a patina of respectability by casting big-name, above-the-line talent in the lead roles: Burt Lancaster in Airport, Gene Hackman and Shelley Winters in The Poseidon Adventure, Paul Newman and Steve McQueen in The Towering Inferno, Charlton Heston in Earthquake, Heston again in Airport 1975.

Then came the 1990s and the CGI visual-effects age — and with it, the notion that the disaster itself was the above-the-line star. So while Roland Emmerich (Independence Day, The Day After Tomorrow, 2012) may keep that spirit alive, more common are blockbusters in the spirit of 1996's Twister, where the end of any given storm sequence was an implicit cue to audience members that it was safe to visit the bathroom or snack bar.

Into the Storm continues in that tradition, adding the device, now seemingly even more popular, of found footage. In the small northern Oklahoma town of Silverton, a team of storm chasers — led by driven filmmaker Pete (Matt Walsh) and meteorological researcher Allison (Sarah Wayne Callies) — try to find some amazing footage for their planned documentary before their funding runs out. Meanwhile, it's high-school graduation day in Silverton, and vice-principal Gary (Richard Armitage) is trying to track down his missing son, Donnie (Max Deacon).

If you were feeling generous, you could say that the framing structure is employed when it proves convenient, and abandoned when it doesn't. It's certainly efficient that Donnie is making video time-capsule recordings that allow us to know within a matter of moments that his mom is dead and that Gary is tense and distant. And when director Steven Quale (Final Destination 5) occasionally would rather feature an impressive God's-eye-view shot of destruction? Hey, there's no need to get doctrinaire about this whole found-footage business.

Despite the leaps in CGI capabilities in the nearly 20 years since Twister, Into the Storm doesn't exactly break new ground in showing flying debris and people clinging to something for dear life lest they be swept up into the funnel. The disaster movie may still serve its primal function of letting us know that people forget their petty quarrels and take care of the things (and people) that really matter when the chips are down, but if Into the Storm isn't going to elevate the state of the art in storm porn, why not stay home and watch the Discovery Channel? ♦

Trailer


Into the Storm
Rated PG-13 · 89 minutes · 2014
Official Site: intothestormmovie.com
Director: Steven Quale
Producer: Todd Garner, Richard Brener, Walter Hamada, Dave Neustadter, Mark McNair, Jeremy Stein and Bruce Berman
Cast: Richard Armitage, Sarah Callies, Matt Walsh, Max Deacon, Nathan Kress, Alycia Debnam-Carey, Arlen Escarpeta, Jeremy Sumpter, Lee Whittaker, Kyle Davis, Jon Reep, Scott Lawrence, Dave Drumm, Brandon Ruiter and Linda Gehringer

Now Playing

Sorry there are no upcoming showtimes for Into the Storm

Tags: ,

  • Pin It

Latest in Film

  • Safely Outrageous
  • Safely Outrageous

    Horrible Bosses 2 depends on the most predictable kind of transgressive humor
    • Nov 25, 2014
  • Katniss Strikes Back
  • Katniss Strikes Back

    The next installment of the Hunger Games series is sequel gold
    • Nov 19, 2014
  • Growing Up
  • Growing Up

    Seattle director Lynn Shelton delivers another unpredictable story with Laggies
    • Nov 19, 2014
  • More »

Comments

Subscribe to this thread:

Add a comment

Today | Thu | Fri | Sat | Sun | Mon | Tue
Pine League

Pine League @ Mootsy's

Thu., Nov. 27

All of today's events | Staff Picks

or

More by Scott Renshaw

  • Safely Outrageous
  • Safely Outrageous

    Horrible Bosses 2 depends on the most predictable kind of transgressive humor
    • Nov 25, 2014
  • Battle Fatigue
  • Battle Fatigue

    Fury finds its creator in familiar hellish men-with-guns territory
    • Oct 15, 2014
  • More »

Most Commented On

  • Hairy Matters

    L.A. glam-metal pioneers Mötley Crüe are calling it quits, and that's not necessarily a good thing.
    • Nov 19, 2014
  • More »

Top Tags in
Music & Film

Film


Music


Review


Cover Act


Jazz


© 2014 Inlander
Website powered by Foundation