Pin It
Favorite

Real Life Radio 

Sleepwalk With Me was an NPR piece before Mike Birbiglia took it to the big screen

click to enlarge He’s actually asleep.
  • He’s actually asleep.

Mike Birbiglia’s voice still cracks on occasion, and his delivery — long uhhhhs, whip cracks of sarcasm, sentences that inflect higher at the end, rendering even facts an air of uncertainty — shares the same syncopation of a teenager. Sight unseen — which is how a lot of people first came to Birbiglia, via his monologues on This American Life or his comedy albums — he could pass for an adolescent, which makes sense, since so much of this comedy lies in his resistance to the adult world.

In his directorial debut, Birbiglia has re-engineered (along with his co-writers Seth Barrish and This American Life’s Ira Glass) the autobiographical material that formed the basis of his identically titled one-man show and subsequent book. Birbiglia plays Matt Pandamiglio, a struggling comic who begins to suffer sleepwalking episodes shortly after he moves in with his longtime girlfriend, Abby (Ambrose). As the pressure mounts from Abby and his family to move toward marriage, Matt retreats to a hectic road schedule, doing stand-up in empty bars and hosting air-karaoke contests at college campuses. The film is on its surest, sharpest footing here, detailing Matt’s hard-fought refinement of his voice and the camaraderie he finds in the comedy community.

As a voice in your ear, Birbiglia always had a shambling, decent-guy appeal, and it carries over to the screen (even if he’s too old to be playing a 20-something). But what translates less well to film is the monologist’s egocentrism. Characters not named Matt Pandamiglio aren’t afforded their own stories or inner space; it’s as if they power down in between interactions with Matt, just waiting to be called on again to push his plot forward. (Rap twice on hollow Abby and you might hear an echo, which is no way to treat an actress with the acuity and luminosity of Ambrose.) 

Sleepwalk With Me is never anything less than awfully likable. But I so wanted it to be more. 

Tags:

  • Pin It

Latest in Film

  • Real Fiction
  • Real Fiction

    True Story sees James Franco and Jonah Hill telling a true story about fakers
    • Apr 15, 2015
  • No Country for Old Hipsters
  • No Country for Old Hipsters

    Noah Baumbach explores aging clumsily in While We're Young
    • Apr 15, 2015
  • Fight for Rights
  • Fight for Rights

    Gett is an unflinching look at one woman's struggle in Israel
    • Apr 8, 2015
  • More »

Comments

Subscribe to this thread:

Add a comment

Today | Sun | Mon | Tue | Wed | Thu | Fri

All of today's events | Staff Picks

or

More by Kimberley Jones

  • Dance Lessons
  • Dance Lessons

    Ballet 422 takes you inside a world of dedication and beauty
    • Mar 18, 2015
  • More »

Most Commented On

  • Audio Devotion

    Why it's OK to like bad music
    • Apr 15, 2015
  • Pay to Play

    The power struggle between three music-licensing agencies, local venues and musicians trying to get paid
    • Apr 8, 2015
  • More »

Top Tags in
Music & Film

long reads


© 2015 Inlander
Website powered by Foundation