A Place to Call Home

Two Spokane musicians want to create Spokane’s next best music venue

Caleb, left, and Karli Ingersoll - YOUNG KWAK
Young Kwak
Caleb, left, and Karli Ingersoll

When they watched the doors of Empyrean Coffeehouse close two years ago, Caleb and Karli Ingersoll also felt like the doors shut on the Spokane music scene that they knew and loved.

“I loved the little brick room at [the original] Empyrean. As a singer-songwriter, that was an awesome place to play,” Karli says. Back then she was Karli Fairbanks and made a name for herself alongside several other acoustic artists at the time: Kaylee Cole, Dane Ueland, Henry Nordstrom. But when Empyrean closed, she says it left artists like her without a stage to play on.

“Nothing folk can happen any place we have now,” she says. But even more, she says that Empyrean was a great place to simply drop in on shows and catch great touring bands.

And so, after two years of planning, brainstorming and scouting locations, the Ingersolls have decided to open their very own music venue: an all-ages, 200-person capacity space right in downtown Spokane. They’re calling it The Bartlett and want it to be a spot that caters to the sounds they feel don’t have a home here anymore: indie, folk, rock and electronic music.

In order to pull it off, the Ingersolls have turned to crowd-sourcing their start-up funds through an IndieGoGo.com campaign, a site similar to Kickstarter.com. Their ask is a big one, too: $30,000. As of The Inlander’s press time on Tuesday, the project had raised $5,715 — just 19 percent of its goal — from 51 contributors.

They estimate it will take $50,000 to open The Bartlett by the spring of 2013 — and say they’ll make up the difference with additional fundraisers and by kicking in their own personal cash. They’ve got their eyes on a space on West Riverside toward the east end of downtown, but have not signed a lease on the space yet.

Once they clear the funding hurdle, the pair are confident they can run the venue Spokane needs to attract high-quality touring acts. Caleb, an audio engineer, has four years under his belt as the booker at the now-defunct Kennewick, Wash. venue, The Red Room — a venue that played host to bands like Helio Sequence, Blitzen Trapper and Josh Ritter.

“When I did the Red Room, it was an awkward room and the carpet was terrible and it had an ugly drop ceiling, but we were able to do some really incredible stuff there and have some great bands and make it sound good,” Caleb says. “And that, for me, felt so good. And ever since then, I’ve been like ‘I want to do it all the way. An awesome space that’s designed to sound good and look good and just have a great energy to it.’

“It’s the kind of thing that I honestly feel like I’m born to do this,” he adds. “There’s nothing else that gets me more fired up.” 

The Bartlett’s fundraising page can be found at indiegogo.com/thebartlett.

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About The Author

Leah Sottile

Leah Sottile is a Spokane-based freelance writer who formerly served as music editor, culture editor and a staff writer at the Inlander. She has written about everything from nuns and Elvis impersonators, to jailhouse murders and mental health...