By Nathan Weinbender
C onsidering we're still deep in a pandemic with no obvious end in sight, I'm not sure when (or if) I'll ever be clamoring for narratives about the pandemic...
WWII-set monster movie Shadow in the Cloud mashes up genres in intriguing but empty ways
As streaming becomes our primary viewing method for new films, the line between TV and movies keeps blurring
Our picks for the best films of 2020
With Pixar's latest feature Soul hitting Disney+, a look back at the animation studio's best
A holiday streaming guide for unsung Christmas classics, Scrooge-friendly holiday hits and this year's Oscar hopefuls
Hallmark holiday movies are corny, homogeneous and painfully predictable. Why do people love them so much?
David Fincher's Mank is a reverent but curiously flat tribute to the greatest of American films
Hillbilly Elegy has gotten some of the worst reviews of the year. How bad could it really be?
Released 30 years ago this month, Home Alone tapped into childhood fantasies to become a Christmas classic
A look back at the late Sean Connery's pioneering take on James Bond
After months of dark screens, Spokane movie theaters begin projecting again
A family of con artists look for their latest grift in Miranda July’s deeply strange comedy Kajillionaire
Sofia Coppola’s On the Rocks is a showcase for the effortless charm of Bill Murray
Zombies, witches and Adam Sandler: A rundown of the best and worst new horror films you can stream now
By Inlander Staff
Submit an Event
or
Browse all Film Times
Sneak Peek Preview
Entree Food Newsletter
Weekend Countdown
The Inlander