Rave On

Buddy is a rock 'n' roll museum with moving dioramas %uFFFD and the bobby-soxers are screaming.

Rock 'n' roll's Father, Son and Holy Ghost - YOUNG KWAK
Young Kwak
Rock 'n' roll's Father, Son and Holy Ghost

Buddy: The Buddy
Holly Story

Through Oct. 24
Spokane Civic Theatre

He didn’t want any plucking restraint. He wanted thrashing passion. Buddy Holly aimed to turn sedate country music into ravenous rock ’n’ roll.

And on the strength of Yvonne Johnson’s audience-participating directing style and Brian Gunn’s likable performance in the title role, the Civic’s Buddy: The Buddy Holly Story turns jukebox nostalgia into a rousing of the rock ’n’ roll rabble.

As Buddy, Gunn is even more than a singing-dancing-acting triple threat: He quintuples his impact by shredding his Strat and looking good in horn-rims, too. Gunn’s acting rings the changes from nervous kid to defiant artist, from gentle balladeer to rockin’ rebel.

Johnson and co-music directors Jim Ryan and Michael Saccomanno succeed in showing Buddy’s development as a musician. When the Crickets are still playing roller rinks — and in their initial recording sessions — they sound tentative and rough. By the time they’re recording “Everyday” and signing contracts, though, they’re rocketing up the charts.

Along the way, however, the intra-band squabbles and fights with producers lacked conviction. And the sound balance was off during the first half of opening night, unfortunately, with Gunn’s guitar amped too high and his mic turned too low. As a result, the wonder of being in on the recording of “That’ll Be the Day” and the surprising-the-black-folks impact of “Peggy Sue” at the Apollo was lessened.

But the balance got restored after intermission. And while Act Two contains too much clunky exposition, the payoff is exciting. Johnson sends bobby-soxers screaming down the aisles and distributing programs in a you-are-there simulation of Buddy’s final concert.

On that frigid Iowa night in ’59, Jhon Goodwin — joshing and flirting as the Big Bopper — exudes confident stage presence. As Ritchie Valens, Paul Villabrille got laughs for his pelvic thrusts but earned approving whoops for how he tore into “La Bamba.”

It’s unexpectedly moving to watch Buddy and the Bopper join in on that song with Valens when you know it’s their last night on earth.

The report of their deaths, when it arrives, is sudden. But it’s handled without schmaltz, and soon the encores and curtain calls restore a rousing sense of being in at the birth of rock ’n’ roll.

Buddy: The Buddy Holly Story • Thurs-Sat at 7:30 pm; Sun at 2 pm; through Oct 24 • Tickets: $28 (top); $10, student rush • Spokane Civic Theatre • 1020 N. Howard St. • Visit: http://www.spokanecivictheatre.com • Call: 325-2507

For more photos of Buddy and a longer version of this review, visit http://stagethrust.blogspot.com.

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About The Author

Michael Bowen

Michael Bowen is a former senior writer for The Inlander and a respected local theater critic. He also covers literature, jazz and classical music, and art, among other things.