Singer-songwriter Cami Bradley reinvents herself with the dark, moody sounds of Carmen Jane

Singer-songwriter Cami Bradley reinvents herself with the dark, moody sounds of Carmen Jane
Alissa Ferguson photo

The Cami Bradley you'll see under the moniker of Carmen Jane isn't the Cami Bradley you've seen singing plaintive arrangements of classic pop songs, or as one half of the folk duo the Sweeplings, or even the Cami Bradley you saw as a contestant on America's Got Talent.

No, this project is slightly more adventurous and definitely more experimental, and Bradley, 31, admits she's still trying to cement its identity. She describes the new sound as "dark pop," and says that she was probably channeling the gothic electronics of Billie Eilish when she first went into the recording studio. But it's still gestating.

"It's very different from anything I've ever done," Bradley tells the Inlander. "But I'm loving it. It's the first time I've felt fully me in music."

Bradley is still based in Spokane, but she's regularly pinballing back and forth between here and Los Angeles, where she's still feeling her way through the complicated machinations of the music industry. She's also still making music with the Sweeplings, the folk duo she formed in 2013 with Alabama singer-songwriter Whitney Dean. They don't tour all that often, though they've reached a wide audience because their songs have appeared in commercials and on TV series like Pretty Little Liars and The Vampire Diaries.

But that's just one of many musical irons that Bradley has in the fire. In a corner of Atticus on a busy Saturday afternoon, she has a brief respite before flying back to L.A.; this trip will be devoted to writing new material with her younger brother Ryan, who lives there and performs blues-rock under the stage name Dirt Miller.

Bradley says she needs those professional partnerships to push her style in unexpected directions. Though she put out a few solo releases pre-Sweeplings, she says now that she was never fully satisfied with those songs once they were committed to tape: "Maybe I hadn't lived enough life or felt enough things to be as deep as I wanted. The sound was never real enough to me.

"You get into a groove — and it's a good one. But I wasn't really expanding upon how I wrote or who I wrote with," she continues. "The Sweeplings is one of the most amazing things, but it's only one side of me as an artist. And there was another side that I also wanted to get out there."

Carmen Jane is different. It feels a bit more grown-up, more sure of itself, moodier and edgier than anything she's done before. The acoustic hush of the Sweeplings has given way to slinky synthesizers and club-ready beats, and while Bradley's powerful voice is still at the center, it's almost unrecognizable from the more delicate intimacy of her previous solo work.

As a project, Carmen Jane has been a collaboration with producer Nico Rebscher, who had an international hit co-writing Alice Merton's jittery pop song "No Roots." Bradley has traveled to his native Germany to write and record with him, and she says their connection was almost immediate.

"I've always had in my head what I wanted [this sound] to be and could never get someone to understand," Bradley says. "The first chords [Nico] played on the piano was, 'Yes, that's exactly what I'm talking about.' And he's really good at pushing me beyond my limits."

Bradley doesn't want to be defined by her time on America's Got Talent back in 2013, but she's also aware that her career would look a lot different if she hadn't been given that kind of national platform. Bradley was an unassuming audience favorite during the competition show's eighth season, eventually taking sixth place amongst a pool of thousands of performers. She didn't take on a recording contract immediately after her run on the show, which is usually de rigueur for newfound TV stars, and she has no regrets about it now.

"There's a subsidiary of the music industry that's made for cover bands and reality stars," Bradley says. "You can be successful in that for sure, but I'm coming back into the L.A. world fresh and with a new name, so people don't tie me to that. I definitely don't have regrets now that I'm dipping my toe back into it, and realizing that it was a smart decision."

And now she's on a totally different trajectory as Carmen Jane — which are Bradley's real first and middle names — though the handful of songs merely exist in the demo stage right now. This upcoming show is her second ever with the project, following a performance at the Bartlett back in September. Bradley describes that first concert as "a little experiment," a spontaneous gig she arranged with a drummer and a keyboard player and announced a couple weeks before the actual show. They ended up selling out the venue, and as soon as she started playing her new songs, Bradley knew that Carmen Jane had potential.

"I told my husband as I walked off stage that I felt like, for the first time, I had found myself as an artist," Bradley says. "And I was excited to put it out there so that everybody could hear it." ♦

Carmen Jane with CATE • Thu, Nov. 21 at 8:30 pm • $10 • 21+ • Lucky You Lounge • 1801 W. Sunset Blvd. •

Pages of Harmony Annual Christmas Concert and Auction @ Millwood Community Presbyterian Church

Sat., Dec. 10, 6-7:30 p.m.
  • or

About The Author

Nathan Weinbender

Nathan Weinbender is the Inlander's Music & Film editor. He is also a film critic for Spokane Public Radio, where he has co-hosted the weekly film review show Movies 101 since 2011.