Spokane artist Kate Vita painted a series of unembellished, emotionally honest portraits of her female peers

Vita's portraits are based on makeup-less, unsmiling selfies of her female friends. - YOUNG KWAK PHOTO
Young Kwak photo
Vita's portraits are based on makeup-less, unsmiling selfies of her female friends.

Filled with time-lapse videos of her daily painting practice, a scroll through Spokane artist Kate Vita's social media feed is a mesmerizing and meditative experience.

Beyond the awe of seeing Vita's paintings come to life on canvas in just 60 seconds (the process actually takes about two hours) is the way she begins each piece: upside down.

"Painting upside down is a simple student exercise to get you out of painting what you think you know," Vita explains from her historic South Hill home.

"It's so easy to draw what you know as a shape for an eye or nose — you get into this automatic mode. [Upside down] is a great way to break out of that and see what is really going on."

Vita formally studied art and illustration at the ArtCenter College of Design outside of Los Angeles, and worked as an artist for the following two decades on several animated TV series, including Ren & Stimpy and Duckman.

Most of that work was done digitally, which meant the artist found herself straying further away from her roots painting on a physical canvas. Realizing this, she made a conscious decision in 2015 to pick up a paintbrush again, with the goal of completing a small study every day.

click to enlarge YOUNG KWAK PHOTO
Young Kwak photo

"In order to paint again after a long hiatus, I had to overcome my own self-expectation to allow myself to make messes and not be very good," Vita recalls.

Four years later, Vita has completed an evocative and powerful body of work for a solo show at the esteemed Kolva-Sullivan Gallery in downtown Spokane. Naked opens this Friday and remains on display through May. The series of about 60 small portraits feature the faces of Vita's female friends and were based on makeup-free, unsmiling selfies she asked them to take and send her.

Many of the women, most in or past their 50s, had never even taken a selfie before.

"When selfies started it was around the same time we started not liking seeing photos of ourselves, so it was really challenging for a lot of my friends to look at themselves and be that vulnerable," she says.

"I didn't conceive that it would turn into what it has — a really powerful statement of being true and not creating this artifice and facade to show people, which is very refreshing."

Each portrait is identified by its subject's first name only, although several women Vita painted for the series may be recognizable to local viewers, including fellow artists Tiffany Patterson, Louise Kodis, Melissa Lang and Sheila Evans, writers Sharma Shields and Ellen Welcker, and many others. Several self-portraits of Vita are also included.

"There is an invisibility that happens to women of a certain age, and I think that a lot of my friends share that experience," the artist reflects. "'It was very nice to be seen' is what a lot of them told me."

The portraits themselves, and Vita's overarching style, are representational in nature, sometimes veering toward expressionism, with a distinct use of bold color reminiscent of modern art's brief Fauvism movement.

Naked is Vita's second solo show; her first was as a guest of Saranac Art Projects in 2015 shortly after she began her daily painting studies. Vita's art has also been featured in several group shows, and twice in Terrain's annual fall arts showcase.

The artist was invited to show for May's spot at Kolva-Sullivan last fall after bringing down a box of paintings to share with gallery owner Jim Kolva.

"I was about two-thirds of the way through, and I knew I had, at that point, something pretty powerful that I really wanted to see all together in one space, and that space seemed like the one," Vita says.

Each of the 60 or so portraits in the collection are hung chronologically as Vita completed them so viewers can experience how the series evolved, becoming "brighter and looser and more expressive and less representational," she notes.

Vita hopes viewers of the series truly see and respect these women for the depth and complexity of their experiences, as evidenced by their bare faces.

"It would be great if they could see in them what I saw while I was painting, which is women who have a whole lifetime of stories to tell, and maybe then to take that and see the people around them in a new light." ♦

Naked: New Paintings by Kate Vita • May 3-25; reception May 3 from 5-8 pm; open Fri from 5-7 pm, Sat from 1-4 pm • Free admission • Kolva-Sullivan Gallery • 115 S. Adams • facebook.com/katevitaart

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About The Author

Chey Scott

Chey Scott is the Inlander's food and listings editor. She compiles the weekly events calendar for the print and online editions of the Inlander, manages and edits the food section, and also writes about local arts and culture. Chey (pronounced Shay) is a lifelong Spokanite and a graduate of Washington State University...