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by Inlander Staff & r & An Unfinished Life -- About a Wyoming ranch owner, his crippled ranch hand, his estranged daughter-in-law, his granddaughter and all their baggage, this film seems tailor-made for director Lasse Hallstr & ouml;m. It's just the kind of plot-free character drama he has done so well in the past (What's Eating Gilbert Grape and Chocolat), but not even he, helped along by a couple good performances, can raise the film above its made-for-TV source material. (LB) Rated PG-13





Batman Begins -- Visionary director Christopher Nolan (Memento) instills a heightened reality to this telling of the Batman tale -- going back to the boyhood horrors that marred Bruce Wayne, taking in the young adult physical training that shaped him and extending his attempt to save Gotham City from villainous ruin. Christian Bale is perfect as Bruce Wayne/Batman, as are Michael Caine as Alfred, Gary Oldman as a good cop and Cillian Murphy as the demented Scarecrow. (ES) Rated PG-13





The Brothers Grimm -- Terry Gilliam has always been attracted to projects that twist reality to achieve fantasy. A Van Helsing for bookworms, The Brothers Grimm is given a rich historical context in which to meditate on the place of folklore in daily life. Gilliam understands that the Grimms' tales, though allegorical, were once sacred and part of day-to-day reality. To honor that, the mystical and the mundane aren't set at odds, but mingled to create a rich, zany cartoon Gothic. (LB) Rated PG-13





The Constant Gardener -- The John le Carre book about big government and pharmaceutical companies in deadly cahoots makes for an intriguing movie, and both Ralph Fiennes as a grieving husband and Rachel Weisz as his troublemaking and soon murdered wife give great performances. But the film is all over the place in layering mystery upon mystery, and in not providing enough character development. (ES) Rated R





Charlie and the Chocolate Factory -- Tim Burton's take on the Roald Dahl story, first filmed in 1971, is a little more whimsical and has less of an edge than that film. But the Burton-style story of the poor boy who wins a trip to the mysterious chocolate factory with four horrid kids is so much more imaginative, and brilliantly designed. Johnny Depp is quirky and troubled as Wonka. (ES) Rated: PG





Tim Burton's Corpse Bride -- Stop-motion animation, smoother, better, more elegant than in Burton's great Henry Selick collaboration, The Nightmare Before Christmas. This time he works with Mike Johnson in a story of a skittish groom-to-be who accidentally marries a dead woman, while his bride-to-be wonders what's going on. It happens to be light and funny and dazzling, and a little scary, and terrifically acted by Johnny Depp, Helena Bonham Carter and Emily Watson. Good emotional plot twists, witty Danny Elfman songs and an odd ending. A wonderfully odd film. (ES) Rated PG





Cry Wolf -- How many more horror movies will be about a prank gone wrong? How many more horror movies will make commentary on teen social mores? How many more horror movies will self-consciously talk about the nature of horror movies? How many more horror movies will have the killer stalking people via Instant Message? At least one more. Rated PG-13





The Exorcism of Emily Rose -- It's the first courtroom horror movie since that scene at the beginning of Ghost Busters 2. We think it's been far too long, frankly. The Catholic Church publicly acknowledges a case of demon possession and sends their crack exorcist in to take care of the afflicted young woman. She dies, and the rest of the film is told from the subsequent trial of the priest. The best part, say the film's creators, is that it's based on a true story. Yes, and so was The Amityville Horror. (LB) Rated PG-13





Fighter Pilot -- As we follow Capt. Jack Stratton, an F-15 eagle pilot, battling 125 pilots from six nations in the world's largest air war games, the relization settles in that Fighter Pilot works neither as you-are-there documentary, Air Force recruiting video nor Top Gun razzle-dazzle. (MB) Not Rated.





Flight Plan -- Holy Crappola! Jodie Foster, who builds massive jet liners -- possibly by herself, in her spare time -- is on the first flight of her new plane when disaster strikes. Her daughter goes missing. Just one problem, though: no one on board ever saw her daughter -- like, even before she disappeared. So is Jodie crazy or is she so sane that she's blowing all of our minds? More importantly, how many crazy-or-sane plot contrivances can fit into a fall? So far it's like three. Rated PG 13





The 40-Year-Old Virgin -- Andy Stitzer is a virgin at 40. It's not as if he hasn't tried to get laid, but after a few dismal attempts when he was younger, it became the albatross around his neck. The longer he went without it, the harder it became to pursue it, until, he says, he just gave up. The question preceding this movie has been whether or not Steve Carell can carry his first leading role. Now it seems clear that he can. Rated R (JS)





Just Like Heaven -- A romantic comedy about a workaholic doctor (Reese Witherspoon) who dies -- well, sorta -- then goes to battle (as a spirit) with the sad, lonely guy (Mark Ruffalo) who gets her old apartment. The film is kind of tepid and borrows freely from other similar ones, but the acting is quite good, and it's all funnier than the trailer makes it out to be. (ES) Rated PG-13





Lord of War -- This is a movie about gunrunning, not gunrunners. It's a careful depiction of the process that takes weapons from industrialized nations (especially the former Soviet Union) and puts them in the hands of despots and genocidial maniacs. If only the same care had been taken with the characters, who are flat and lifeless, like cardboard cutouts placed on screen to help diagram the movement of weapons. What a shame. The subject is vitally important -- especially to the people actually being killed by these weapons. But they would have been far better served by a documentary. Or something. Anything but this. (LB) Rated R





Magnificent Desolation -- Only 12 people have walked on the moon, but now IMAX is proclaiming that you'll be number 13. All of you. Don't be fooled! You won't really be on the moon, just leaning back a little in your chair, gazing up at the moon's desolate vistas projected on a massive format screen. This is bound to be good. Tom Hanks produced it, and he doesn't put his name on bad movies. Except The Terminal... and Ladykillers. Unrated





March of the Penguins -- The emperor penguin's glossy plumage and gently curving beak takes on a regal aspect in Luc Jacquet's lovingly and painstakingly directed documentary. In fact, the penguins become heroes of an epic character: brave, if not fearless, and stalwart fools for love. A film as absorbing and incredible as any man-made phantasmagoria you'll find in the multiplex this summer, and it's all real. Rated G (MI)





Red Eye -- There's tension right from the start, much of it coming from the frighteningly blue eyes of Cillian Murphy (Batman Begins) as he turns from charming stranger to menacing seat-mate of Rachel McAdams on a late-night flight from Texas to Florida. If she doesn't help him with his evil plot, he'll have her father killed. There's even more nerve-racking fun after the plane lands. (ES) Rated PG-13





Roll Bounce -- This movie is about, uh, roller disco. Specifically, about wrong-side-of-the-tracks kids who try to break into the roller disco big leagues by going cross-town to challenge the upper-middle-class roller disco kids. Along the way, you can bet there will be some message about race and tolerance and inclusion. But whether black or white, everyone looks stupid on roller skates. Rated PG 13





Transporter 2 -- For all its gimmicky mayhem, Transporter 2 is a marked improvement over the original. Still, midway through, you begin to wonder what all the hubbub's about. After all, if the hero has no fatal flaw, then what's the point? Apart from cutting a stylishly bloody swath across the screen and looking flash as the Clash while pummeling the less sartorially inclined into so much hamburger, there's not much to this knight errant. (MS) Rated PG-13





Wedding Crashers -- Owen Wilson and Vince Vaughn make a very good comedy team. Wilson isn't so much an actor as a personality: He offers the same tousle-haired puppy-dog vulnerability in all his movies. In contrast, Vaughn (Dodgeball) is manic. They're guys who will live, hedonistically, forever. But just when you think that'll be all, it turns out to be a charming romantic comedy. (MB) Rated R