Wednesday, August 4, 2010

The Way We Were

When a band gets back together, some people get really excited. Others get really pissed.

Leah Sottile
Black Happy playing a show at The Met (now the Bing Crosby Theater) back in the day [Photo: Darren Balch photo]
Black Happy playing a show at The Met (now the Bing Crosby Theater) back in the day [Photo: Darren Balch photo]
Black Happy playing a show at The Met (now the Bing Crosby Theater) back in the day [Photo: Darren Balch photo]

People will inevitably laugh at how they’ve grayed, snicker at how their bellies have swelled. It could be the Pixies, Led Zeppelin, Pavement or, as in this case, a regional favorite like Black Happy. No matter who it is, when an old band gets back together, it’s what’s different about them — do they sound the same? Are they as energetic? Are they fatter? Slower? Can they still play? — that gets people talking.

Band reunions are like high school reunions; a rehashing of the old days, or an attempt to relive, at least for a moment, the glorious excitement of youth. But for others, it’s reviving a long-dead enemy, jump-starting a band people hated then and loathe even more now for getting back together.

Black Happy — a North Idaho band that made waves in the mid-’90s Northwest music scene with their unlikely matching of grunge and funk — is no exception. The band hasn’t played on a stage together for 15 years. But the people who hated them back in 1995 hate them today as if they just broke up.

Thoughts on Black Happy

Local scenesters remember why they loved (and why they hated) North Idaho’s best-known grunge-era band.

MIKE RENES
Singer in defunct local band 10 Minutes Down

“There was something just absolutely manic about the way they tore around the stage, whipping the crowd into a frenzy. More than any Orange County ska band of the late 90’s, 10 Minutes Down drew its inspiration from the stage presence of Black Happy.”


AMY SINISTERRA
Music fan, former Inlander photographer

“I was 17 in 1990 when they got started and I saw them at some all-ages gig. I danced and had such a blast that I made it my mission to hit every show of theirs that I could.”


BEN CATER
Promoter, owner of the B-Side

“I remember going to see them in Coeur d’Alene in ‘92 along with probably 30 other LC kids. I was into Fishbone and RHCP back then so I was a sucker for their sound.

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“Black Happy was beneath my contempt,” Jon Brown, an occasional Inlander contributor and guitarist in on-again/off-again band Pour Soi, says. “[Black Happy] was terrible in the way that music is when you recognize the skill of the players but cannot identify with any of the sounds they make. I wanted them to be good, but they were not.”

But some remember them fondly — connecting nostalgic stories of youthful rebellion with Black Happy.

“My sophomore year of high school [at Gonzaga Prep], I was wearing a Black Happy shirt. My religion teacher told me I had to take it off or she would send me to the office. Needless to say, I ended up in the office,” says Patrick Kendrick, who runs Platform Booking locally.

“The vice principal put his foot down and gave me a shirt to change into. So I went to the bathroom to change,” Kendrick continues. “I put the shirt he gave me in the trash, my BH shirt in my back pocket, wrote Black Happy on my chest with a Sharpie and walked back into his office. My mom picked me up out front 20 minutes later.”

Sitting at Empyrean last week, Jay Carkuff and Jim Bruce laugh as they look at the stage. They’re explaining how their guitar player kicked a hole in the wall there once. He was trying to run up it during a show.

“It’s just weird how little has changed here,” Bruce, the drummer for Black Happy, says. “The stage is almost identical.”

The band played here more than once back in the 1990s. It was the Big Dipper then, a place that showcased Northwest bands like Tree People and Everclear. From there, Black Happy toured heavily — playing South by Southwest, the CMJ Festival and landing an opening spot for 311 on a southern tour of the U.S. But after five years, the eight-man band called it quits.

Carkuff, 42, and Bruce, 39, talk about how a Black Happy reunion is something the long-retired band has been talking about for years. But with members flung from Spokane and Coeur d’Alene to Seattle, San Francisco and St. Louis, the idea was one they knew would be difficult to pull off. It was so unlikely, Carkuff — who plays trombone in the band — says he didn’t believe it would actually happen.

“I actually was probably the last one to know,” he says. “I was hearing rumors from people who wouldn’t know this sort of thing. They’d say, ‘I heard your band’s getting back together.’ ‘Oh, really? I didn’t.’ And that was going on for about five years.”

“And then, one day … Jim called and said, ‘Hey we’re thinking about getting back together for a reunion show.’”

Carkuff, who works at a Post Falls Taco Bell, says he’s had to re-teach himself to play the trombone for the five Black Happy reunion shows. And though Bruce — who is married with three children — says he’s continued to play drums through the years, he’s still got stage energy to work on.

Back in the day, the band was known for literally bouncing off the walls at shows. Knowing old fans will expect that from their performances, Bruce says he’s been trying to prepare.

“A 25-year-old can run better than a 39-year-old and jump around better,” he says. “I’ve been running and trying to get in shape and trying to eat right. Because the reality is I can see myself jumping around and pulling a hammy and then I’m limping off the stage.”

Hey!

Watch Bloglander tomorrow morning for raw video from Black Happy's private show at the Empyrean tonight.

But even more, the band — who only kept in loose contact with each other — has had to rekindle relationships that were soured with the breakup.

“There was very little interaction,” Bruce says. “We’re able to put a lot of that stuff behind us. Yeah, there’s the occasional attitude of, ‘Oh yeah, that’s why we broke up.’ But largely I think it’s been pretty positive.”

Black Happy plays with Kari Marguerite & the 76 at the Knitting Factory on Friday, Aug. 6 and Saturday, Aug. 7, at 8 pm. Tickets: $20. Friday show is sold out. All-ages. Visit www.ticketfly.com or call 877-435-9849. The band also plays three shows in Seattle later this month. Visit www.blackhappy.net for details.

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How sad that this article isn´t focusing on the positive aspects of this reunion! The band members had no idea how overwhelming the response would be to this tour~ The fans did though, proven by the additional shows added to each venue.

It would have been nice to see mention of the people coming from all over the country to see a great band, and relive some memories. The writer states "a band people hated then and loathe even more now for getting back together." I think the ticket sales speak volumes more that this statement.

Bummer Inlander, and a big fat jeers to you. There will be money spent in our city this weekend, friends reuniting after years, and a lot of happy people. Maybe next time you´ll choose to report on this side of the story. It makes for much better reading!
Aug 06, 2010 | Reply to this comment

 

Joe
Completely agree with Merleena. This is the worst Inlander article ever!!!! Very negative…and that’s quite an accomplishment because Sottile and Co are a very cynical bunch!!!! Aug 06, 2010

 

Hey, I’m no Tom Robbins nor a musician, but this is horse dribble that smacks of indifference and biased “reporting” by someone who obviously either holds a grudge or was still crapping his diapers when this band was wrecking the Northwest as a group of the best and most genuine and original musicians, with an entourage of the most dedicated, fun, and happy fans I’ve ever met or been a part of.

Instead of noting how incredible it was that eight players managed to play together for that long; that they held their own and didn’t sign on to a label that would’ve sold them out to stay loyal to their music; that they punched out a sound that has never, ever been replicated, nor with lyrics as memorable to this day by its legions of fans who attended every show, every Greenstock, and bought up every CD (an original “Peghead” is a Charlie Bucket of a gold ticket, these days—which you’d know if you had done some research); instead of noting that not only did their shows sell out in weeks, but left even more fans begging for shows in their areas, the focus was on a hater (who is Pour Soi, anyway? And did you even leave the office to find this one anti-Black Happy fan?), representing Black Happy themselves as a bunch of fat has-beens hoping to make it through a set without passing out; and, stereotyping their fans as an equally as doomed set of creatures having to snort Geritol if only to hopefully make it through the show without a walker.

So on behalf of those of us who still sit in their cars on hot summer nights, a fat .40 in hand, shouting the lyrics to “Black Radio” or “Three-Day Weekend”, those of us who have ever been moved enough to cry to “Home”, or has ever tried to find a six-foot salmon, we dare you to find a more dedicated fan base than the group that’s going to wreck your city over the weekend.

Meanwhile, a solid D- for just showing up to “interview” at least two of the members and crap out some negative verbage for And since you never even mentioned a single song title in an article about a band who is playing music this weekend, in the words of Black Happy, you, my friend, “suck much suck.” Don’t quit your other job.
Aug 06, 2010 | Reply to this comment

 

dbm38

I think it´s great Black Happy got back together for these shows. It reperesents a great era in the Spokane music scene that alot of people
fondly remember. I can´t believe anybody would try to crap on this reunion.
Who the hell is Jon Brown? Is he selling out two nights at the Knitting Factory? I didn´t think so. Some guy in a band nobody has ever heard of.
You work for the Inlander get over yourself. "Before the Chili Peppers sold out", what a deuche. It must be cool to be that underground. I´m sure I will have a blast tonight at the show along with the other 1500 people in attendance.

Really well done article Inlander you guys should be really proud of yourselves Aug 06, 2010 | Reply to this comment

 

The problem with writing a cultural report on a band that made history is that you´re not going to include the entire history. There´s just no way. Everyone has their own accounts, and the people reading this need to understand that the author´s is just one account.

I try to break it down, and the only problem that I see with the entire piece, ethically, as a whole:

"Carkuff, 42, and Bruce, 39, talk about how a Black Happy reunion is something the long-retired band has been talking about for years. But with members flung from Spokane and Coeur d’Alene to Seattle, San Francisco and St. Louis, the idea was one they knew would be difficult to pull off. It was so unlikely, Carkuff — who plays trombone in the band — says he didn’t believe it would actually happen."

The band members are not quoted, but the author is giving her impression of their discussion. I personally don´t think that there is anything wrong with this, because giving one perspective on top of another represents the band´s culture. If a writer describes the band as making culture, as making an impression on the people that follows or even the ones who don´t follow them, either way, I´d take as compliment because it means the band must have been pretty powerful. I think the team behind Black Happy should own up to it, or at least admit that their followers have their own minds. Aug 06, 2010 | Reply to this comment

 

For a piece on a band, failure to mention one song, one album, one concert, or even one Black Happy fan´s reaction, is inexcusable. Further, to base the entire rhetorical purpose (never mind set the tone from the on-set) on one´s sole opinion that the event/tour itself will be a disappointment due to an ageist slant, taints the reader´s means of "judging for one´s self"--i.e., being informational. Last, the article itself stinks of negativity for the majority.

And if this author even sniffed the aura from the show last night, he/she would know for a fact that it still remains a sorry piece of reporting. Aug 07, 2010

 

Just left the show an hour ago and have to say the writer and so called haters can definately "suck much suck". Shame on you Inlander for running a story that had such a jaded slant - your editor should run another story about how awesome the shows were and how great this band was. This band rocks and still rocks despite not playing together for 15 years; it was like they didn´t skip a beat.

For those of those of you who loved watching these guys play live at bars, franternities, and other venues in the Northwest you have to go see them play one last time - it is worth it! The crowd literally sang every song along with the band tonight - I know I have little to no voice left.

"Home" was probably the best one of the night - still gives me goose bumps - it was the closing song at my wedding a couple years back - in fact the DJ played it earlier in the night (along with "Chicken in A Biscuit") and I made him play it again as we closed the night - a great 7 minute closing song!

This band was/is one of the great northwest bands and every time they pop up in my IPod (which seems like every day) it still brings back great memories. Only bad thing is that there are only 5 shows in total (4 left) but can´t wait for the DVD - yes they were filming at the Knitting Factory tonight - so I can relive the memories for years to come.

For the fans of the band and Face Book - you rock for helping bring these guys back so I can see them again and all I can say is it truly is going to be a great start to a "3-Day Weekend"! Aug 07, 2010 | Reply to this comment

 

Nice! Aug 07, 2010

 

 
 
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